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Shopping. Cart. com. All such discounts are applied in the shopping cart. Please see the Terms of Service for additional details. Web. com Group, Inc. All Rights Reserved. Saravana - Wikipedia. Saravana is a 2. 00. The movie begins with the engagement of Saravana's (Silambarasan) sister. The house is full of joy and laughter, awaiting the return of Saravana from college.Tamilaction drama film directed by K. It is a love story set in the backdrop of a village war starring Silambarasan, Jyothika, Prakash Raj, Vivek, Radha Ravi, Devadarshini, Nagesh, and others. The film was a high- budget production and the soundtrack was composed by Srikanth Deva. It was released on Pongal day in 2. Paramasivan, Aadhi and Pasa Kiligal. It is a remake of 2. Telugu film, Bhadra starring Ravi Teja and Meera Jasmine. The house is full of joy and laughter, awaiting the return of Saravana from college. However, when Saravana returns, the family members are shocked. He has brought home a distraught and frightened girl, whom he introduces as his friend, Sadhana (Jyothika). The marriage preparations continue, with everyone wondering who the mysterious girl is. Saravana's uncle (Nizhalgal Ravi), however, cannot control his emotions. He wants his daughter (Meghna Naidu) to marry Saravana, and is afraid that Sadhana will spoil this. Eventually, Saravana's uncle confronts him about Sadhana. Saravana gets upset and an argument ensues. Later, as Saravana and Sadhana go to a restaurant to eat, a gang comes. Saravana chases them for a while, and beats all of them up. Realising he has left Sadhana behind, Saravana returns to the restaurant. However, Sadhana is not there. Padayappa launched production at the Ragavendra Kalyana Mandapam on 1 October 1998. The film's climax scene was one of the first to be shot, and was filmed in one. Search: Movie: Music: Year : 1 Pandhu 4 Run 1 Wicket. Online Film Application. Toggle navigation. Home; About Us. Vision & Mission. Organisation. Frightened, he returns home, to find Sadhana there. She was rescued by her brother's assistant. Finally, Saravana's father (Radha Ravi) forces him to tell them what is going on. Then, a flashback begins. Saravana and Krishna (Five Star fame Krishna) are close friends. One day, Saravana sees Krishna's sister, Sadhana, on a video recording and immediately falls in love with her. At that moment, she is studying in London. After learning that she would be going home for the holidays, he follows Krishna home for the holidays, in an attempt to woo her. When he arrives at the village, Saravana is greeted by Krishna's elder brother Soundarapandi (Prakash Raj). Soundarapandi's wife (Easwari Rao) treats Saravana like a brother and dotes on him. Eventually, Saravana is told about the caste clashes occurring in the village. Soon, Sadhana arrives. Saravana tries hard to impress her but faces many difficulties. Strangely, he does not tell her about his love and devotion. However, the other family members eventually become aware of his love, and they approve of him. When Sadhana takes Saravana to the temple for a visit without anyone's knowledge, the rival group is attacked by Sadhana's brother's gang. The rival then holds Sadhana hostage and threatens to kill her. In a swift action of bravery and skill, Saravana knocks down the rival group member. After this incident, Soundarapandi tells Saravana why things are so violent in the village. He explains how he is a master's degree holder from a prestigious university and how his wife is also a master's degree holder. Unfortunately, due the nature of the villages, the rivalry is deadly and fatal. He ultimately says, even though the villages are violent, he will remain a noble person, with high ideals. At the temple festival, Soundarapandi carries a plate with the saree that Saravana bought for Sadhana before coming to the village. He wants to seek the blessings of the goddess Amman for the marriage. However, Sadhana is unaware of this. Trouble ensues when the rival gang kill the rest of Sadhana's family, forcing Saravana and Sadhana to flee the village. Soundarapandi's last wish was for Saravana to take care of Sadhana and marry her. The story shifts back to Saravana's household, and Saravana plans to send Sadhana to London. This is because the enemy will not be able to find her there. His family does not approve because they know of his love for her. By now, Sadhana has also fallen in love with him and his family. However, she agrees to leave because she thinks that he has no such feelings for her. Soundarapandi's assistant, who managed to escape the village, gives Sadhana the green saree, saying that it was supposed to be her brother's gift to her. On the day Sadhana is supposed to leave to London, she wears the green saree. At the airport, she meets Saravana's college mate. The girl tells Sadhana about Saravana's devotion for her. She also tells her that the green saree was bought by Saravana after much deliberation, and that she had to endure his torture of visiting many shops to find the perfect saree. Sadhana is surprised. She realises she cannot leave Saravana, and leaves the airport. She manages to find Saravana, who is fighting the villains. At the end, they embrace and the movie ends. Production. Saravana is the remake of the successful Teja- Meera Jasmine- starrer Bhadra, an action- oriented entertainer, which has Prakashraj, Eeswari Rao, Brahmaji, Pradeep Rawat, Subburaj re- enacting their roles they had played in the original Telugu version. A fight scene was picturised at the airport where Simbu and Jyothika took part. Some stuntmen were also present. It was a scene where an attempt is made to kill Jyotika as she drives to the airport, to catch a flight to go abroad. A song was picturised on Meghna Naidu and Simbu on sets erected at AVM, Prasad Studios and Mohan Studios. This video has been removed by the user. Padayappa - Wikipedia. Padayappa is a 1. Indian Tamil- languagedrama film written and directed by K. The film features Sivaji Ganesan, Rajinikanth, Ramya Krishnan and Soundarya in the lead roles, while Abbas, Lakshmi, Radha Ravi and Nassar play supporting roles. The soundtrack album and background score were composed by A. Rahman. The plot revolves around Padayappa (Rajinikanth), a mechanical engineer whose father (Sivaji Ganesan) gives up his property to his foster brother (Manivannan), and then dies of shock soon after. Neelambari (Ramya Krishnan) initially loves Padayappa, but plans to humiliate him after his family humiliates her father (Radha Ravi). The rest of the plot deals with Padayappa overcoming all the obstacles placed by Neelambari. Principal photography for the film began in October 1. Padayappa was released on 1. April 1. 99. 9 on the eve of Tamil New Year's day. This was the first Tamil film to be released worldwide with 2. It became Tamil cinema's highest grossing film at that point. Ramya Krishnan's performance was praised, winning her a Filmfare Award under the Best Actress category. The film also won five Tamil Nadu State Film Awards. Padayappa was dubbed into Telugu under the title Narasimha. The dubbed version was also commercially successful, and had a theatrical run of 5. Padayappa is an engineer who returns to his village from Chennai to attend his sister's wedding. His sister is engaged to their maternal uncle's son Suryaprakash. During his stay, he comes across Vasundhara, and falls in love with her. However, shyness and fear of Neelambari, her landlady, prevents Vasundhara from initially expressing her feelings. In addition, Neelambari is Suryaprakash's spoiled sister, who is madly in love with Padayappa. Unexpectedly, Padayappa's father's foster brother demands a share in the family property. Padayappa's father, the chieftain of the village, refuses to divide the property and instead gives the entire property to his foster brother. This forces Padayappa's family to leave their home. Unable to bear this shock, Padayappa's father dies. Suryaprakash then cancels his wedding with Padayappa's sister and marries the daughter of Padayappa's father's foster brother, who now owns the property of Padayappa's father. Meanwhile, Padayappa discovers that a hill on his property is solid granite, which allows him to start a granite business, from which he becomes rich. He uses the money to help the poor in his village, and provide them jobs. As his business flourishes, his family is able to once again settle down. Padayappa assumes his father's position as the village chieftain, and his sister gets married to one of the engineers who work in his company. When Neelambari learns about Padayappa's love for Vasundhara, she becomes jealous of her, and her parents beg Padayappa's widowed mother to allow Neelambari to marry Padayappa. However, to everyone's surprise, Padayappa's mother embarrasses Padayappa's maternal uncle in front of the entire village when she agrees to a marriage proposal made by Vasundhara's mother, her brother's servant. Unable to bear the humiliation, Padayappa's maternal uncle commits suicide. When Neelambari tries to kill Vasundhara by letting a bull loose on her, Padayappa saves her, after which the two marry. After the wedding, Neelambari locks herself in a room in Suryaprakash's house, thinking only about Padayappa for 1. In between, Padayappa finds his father's foster brother in trouble and was pulled out by a financier, from whom he had borrowed money on interest keeping the family house, and helps his father's foster brother, who is suffering financially. As a result, Padayappa's father's foster brother becomes indebted to him and seeks Padayappa's pardon for his misdeeds. Padayappa forgives him. Neelambari plans her revenge on Padayappa, now a father of two daughters. Suryaprakash also has a son, Chandraprakash alias Chandru, who studies at the same college as Padayappa's elder daughter, Anitha. Neelambari advises Chandru to make Anitha fall in love with him. At the same time, Padayappa plans to get Anitha married to his sister's son. Neelambari, having made Chandru pretend to fall in love with Anitha, plans to humiliate Padayappa by making Anitha say that she does not wish to marry a groom of her parents' choice and that she is in love with someone else. At the marriage ceremony, after Anitha does what Neelambari told her to do, Padayappa makes an oath to unite Anitha with her lover by the next Muhurta day, or commit suicide. Padayappa discovers that Chandru really did fall in love with Anitha even though he was only initially pretending to do so on Neelambari's advise. When Padayappa takes Chandru and Anitha to the temple to get married, Neelambari and Suryaprakash give chase to stop them. Suryaprakash is killed in a car accident during the chase. Armed with a gun, Neelambari reaches the temple where Chandru and Anitha are married. In anger, she tries to kill Padayappa. However, Padayappa saves her life when he prevents a bull from attacking her, while at the same time dodging the bullets she fires at him. Rather than live with the humiliation of knowing she was unsuccessful in avenging her father's death, as well as having her life saved by her enemy, Neelambari commits suicide, promising to take revenge on Padayappa in her next birth. Padayappa prays for her soul to be at peace and eventually attain salvation. When they offered Neelambari’s character, I just did it. Because it was opposite a superstar and that too the character was a negative one, no one was ready to do it, but I did it. I didn’t have any second thoughts. Ravikumar as director. After the strike ended, Ravikumar still had to complete the film he was then working on, Natpukkaga (1. Padayappa. After completing Natpukkaga in June 1. Padayappa was further delayed when Ravikumar agreed to quickly remake Natpukkaga in Telugu as Sneham Kosam (1. Neelambari's character is based on Nandini, a vengeful character in the novel, and at one point, the makers were considering naming the film Neelambari. Due to fear of potential protests from fans of Rajinikanth, the original title, Padayappa was retained. The success of Nilambari . Action and reaction are the key factors for an artiste’s success. Sathya Narayana, M. Krishna Rao, and H. Vittal Prasad under their production banner, Arunachala Cine Creations, along with P. Thenappan as co- producer. Lalitha Mani was the choreographer for the song sequences. Rathnam, was involved in the development of the film's script. His character's appearance, with a mutton- chop moustache, is based on a similar role he played in Thevar Magan (1. Around 2,0. 00 extras were used for the scene. Ravikumar used the newly purchased car in the film at Rajinikanth's insistence. Nehru wigs, supplied the wigs that were sported by Ganesan in the film. The sequence features the Hindu god Hanuman making a seat using his tail after Ravana, the demon king of Lanka, does not provide the former a chair to sit. For the sequence, Rajinikanth required Ravikumar to sport an outfit similar to Rajinikanth's, and enact a small part in the song. Rajinikanth also selected the part of the song where Ravikumar would make his appearance. After reluctantly agreeing to do the part, a scene was filmed featuring Rajinikanth and Ravikumar. Rajinikanth said he felt the shot did not look right, and re- takes for Ravikumar's sequence were done. After the re- takes were completed, Rajinikanth admitted that the first sequence was fine. When Ravikumar asked the cameraman why he had not told him earlier, the cameraman replied by saying that Rajinikanth wanted Ravikumar to do seven takes, to teach him a lesson for all the takes that Ravikumar had required of Rajinikanth. Rahman, with lyrics by Vairamuthu. The soundtrack was released through Star Music. Ravikumar informed Rahman that he had already discussed a release date with the press, and that Rahman would be blamed for any delay. To make the deadline, Rahman did a live re- recording of both the soundtrack and score to finish them on time. The credits for the song . Rahman requested the company who manufactured the audio cassettes to make the change. Shiva Kumar of The Times of India was more critical of the soundtrack, and called it . It was also the first Tamil film to be released worldwide with 2. The pre- release business of the film's overseas rights amounted to . Ramya Krishnan has matched Rajni and created a royal path separately .. The film is exclusively made for Rajni's fans ... Balasubramanianram and N. Ramakrishnan, in their book, Grand Brand Rajini, said, . Shiva Kumar of The Times of India was critical of the film's allusions to the actor's political career, stating that the film was . Vivek of Business Today says that the film was estimated to have earned . The film also won five Tamil Nadu State Film Awards. Rather than cut the film, Rajinikanth suggested to Ravikumar to allot two intervals for the film. Ravikumar was wary of this idea, and went to actor Kamal Haasan for advice, since the initial final cut of Haasan's Nayakan (1. Using his prior experience on trimming Nayakan, Haasan was able to cut Padayappa down to 1. When Kumudam's reporter Kannan asked Rajinikanth to release the scenes which had been cut as Padayappa's sequel, Rajinikanth immediately spoke to Ravikumar about the possibility, but was informed that those reels had been destroyed. Her brother drags her away, and berates her for still not overcoming Padayappa. Ramya Krishnan and Nasser reprised their roles in this film. Kashtapadama Kidaikirathu Ennikkum Nilakkathu. Those which are gotten without hardwork will not be there forever). One should know how to control it, otherwise life will become miserable. The posters feature one . Deccan Chronicle. Archived from the original on 1. July 2. 01. 5. Retrieved 1. July 2. 01. 5. Archived from the original on 1. December 2. 01. 4. Retrieved 1. 8 December 2. Rajitha (3 November 1. Archived from the original on 1. December 2. 01. 4. Retrieved 1. 8 December 2. A New Era of Sci- Fi is Upon Us - Looking Ahead to Worlds That Awaitby Alex Billington. March 2. 7, 2. 01. In just a few years we'll be watching another trilogy of Star Wars movies, picking up where the original trilogy left off 3. Star Trek has already been revived on the big screen, coincidentally by the same director set to bring us the next Star Wars - J. J. Ever since James Cameron's Avatar raised the bar with another box office record in late 2. Aside from Star Wars and Star Trek returning, things are getting more exciting every day, with filmmakers like Chris Nolan, Alfonso Cuar. From the big ones like Avatar and Prometheus, to Dredd and Battle: Los Angeles and District 9, to Tron Legacy, John Carter, Lockout and the Total Recall remake, to indies like Moon, Another Earth, Monsters, Never Let Me Go and Safety Not Guaranteed. Of course, there's no denying it was many of these films that have brought us into this upcoming sci- fi era to begin with. They're responsible for pushing the genre, bringing excitement and originality back to sci- fi cinema once again. Go to. The days of Star Wars are gone, and we seem to be getting more films of higher caliber, full of rich cinematic themes and perspectives. You've got people like Neill Blomkamp out there. We wouldn't have been able to make Dredd if it weren't for District 9.? That's the question I posed to screenwriter Alex Garland in my interview about Dredd last year. His answer, short and succinct, hit it perfectly: . Whether they’re male or female, old or young, they’ve illuminated some classic movies. Here’s our top 50 list of sci-fi heroes and heroines. MORE LIT LISTS: 50 Best Scientific Romances (1864–1903) Let's start by laying down a guide drawing for the basic shapes. Begin with a large curve for the top and back of the head / cranium. You've got people like Neill Blomkamp out there. We wouldn't have been able to make Dredd if it weren't for District 9. How do you narrow down the entire history of science fiction cinema into a list of only the 10 best movies? Help us, Mental Floss! You’re our only hope! We've selected the very best designs in sci-fi movies, and a host of influential designers discuss our picks. The success of certain films invigorates and inspires, while the failure of others prevents some from getting made at all. It's better not to have an over- abundance to maintain a quality this genre needs to progress. But that's the thing - quality has been rapidly improving. Over the last few years, movies like Cloud Atlas, Chronicle, Moon and District 9 have proven to audiences and other filmmakers that taking a risk with bold, unique ideas can pay off. Maybe not pay off financially, but cinematically at least. The fact that films like Looper and Attack the Block were even made, got released in theaters, built substantial buzz, and nurtured large fan- bases shows that love for intellectual, entertaining sci- fi is still rampant. Audiences are ready to embrace science fiction that is challenging and exciting and not just another remake. Yes, we've got more Star Wars, Star Trek, Transformers and even Godzilla on the way, but for each of those we've also got original ideas like Gravity, Pacific Rim, Oblivion and Elysium, too. I personally love sci- fi. I'm sure it has to do with being raised on continuous viewings of Star Wars, Flight of the Navigator, E. T. Looking back at that time, it's interesting how closely this upcoming era mirrors what happened in the late 9. Excitement for sci- fi back then hit its peak in 1. Star Wars: Episode I (and The Matrix), which came just a few years after some of these phenomenal 1. Now we'll be getting lots of strong sci- fi movies in 2. Star Wars returns again in 2. As someone who has a special place in his heart for a lot of sci- fi, I'm still just as excited for each and every upcoming movie as I am about revisiting the classics. When I get to experience a film like Looper or Cloud Atlas, even Prometheus, no matter the results I'm just happy to be seeing more science fiction. Especially from filmmakers that I love, filmmakers that naturally push storytelling and quality no matter what genre they're working in - Rian Johnson, Ridley Scott, The Wachowskis. Was Prometheus as groundbreaking and incredible as we were all hoping? No, unfortunately not. But that doesn't mean it wasn't exciting as hell to see anyway; to know the man who gave us Blade Runner and Alien and yet notoriously stated six years ago, . But that was just the start. Now it's time for even more amazing filmmakers like Chris Nolan, Neill Blomkamp, Alfonso Cuar. Abrams, Edgar Wright, Guillermo del Toro, Zack Snyder, Joon- ho Bong, The Wachowskis, Gareth Edwards, David Twohy, Matt Reeves, Wally Pfister, Joseph Kosinski, Doug Liman, M. Night Shyamalan, Gavin Hood, Bryan Singer and Spike Jonze to continue to evolve the genre next. All of these filmmakers, and many others, have sci- fi films in the works right now, from a few major 2. And that's not even getting into any of the Star Wars movies or Lucasfilm's standalone features, which will definitely liven things up. It's also getting exciting to see Hollywood occasionally push stories further into the sci- fi realm just for the fun of it. Seth Rogen's This Is the End and Edgar Wright's The World's End, both comedies about the world ending, will be out this year. Even Shane Black's Iron Man 3 seems to be leaning a bit more towards sci- fi, same with Snyder's Man of Steel and Now You See Me. Last summer there were films like The Watch, Battleship and Amazing Spider- Man that went overboard with sci- fi even when they didn't really need to, which might've been pushing it a little too far, but that's a whole other discussion for another time. My mind has been nearly overloaded with sci- fi over the last few months. Between the criminally underseen indie Upside Down and Cloud Atlas, to the gasp- inducing Chris Nolan & Star Wars announcements, there's been a resurgence of science fiction mania. I've decided to not only take a quick look back at some of the greatest sci- fi movies in the last five to ten years that have influenced this latest era, but also organize the definitive guide to nearly every upcoming sci- fi project arriving in the next few years. But before I get into that, I have been wondering what it is recently that's making us crazy for sci- fi all over again. Is it something in the air? Was it Ridley Scott and James Cameron reviving the genre? Was it 3. D enhancing the experience? There's no definitive answer, because the genre is continuously evolving and pushing itself, just like Garland said. But I tried to find at least one major influence in our modern society that was encouraging a renewed interest in science fiction. After writing an entire post about the Russian meteorite influencing filmmakers, I realized it's the stunning and infinitely- vast universe we live in that remains the greatest inspiration of all. Is Cosmic Fascination Fueling Sci- Fi Interest? Science fiction as a genre is most often influenced by our contemporary society - its concerns, its worries about the future, its current fascinations, its technology. We've reached a point now where, stepping beyond the bleak future envisioned in movies from the 7. In our pockets we all have devices that can connect us to anyone and anything around the world instantaneously. Go back just 5. 0 years and that would've been considered magic, fiction. So if that kind of technology is commonplace in 2. The answer might partially explain why science fiction is so popular again and why exploring the cosmos is one of the trends in so many modern sci- fi films. In the last few years, I've noticed a resurgence of interest in the cosmos, space, space travel and the universe beyond our solar system. Maybe it has to do with younger generations' growing disconnect from religion (grounded on Earth) and science itself becoming more interesting on its own. In less than three months into 2. Higgs(- like) particle, a bus- sized meteorite disintegrated over Russia in sonic- boom- causing brilliance, and every day NASA adds more awe- inspiring photos to their astronomy archive. I can't be the only one who feels my subconscious fascination with the scientific reality of our universe is what drives my excitement for so many of the spectacular sci- fi movies we see nowadays. As we know, Prometheus was all about asking (but not answering) questions about existence, while bringing us away from Earth to figure out why there is life on this planet we call Earth. Sure, there's the . However, instead of just showing us another world and frolicking around, we're getting real characters with complex, compelling stories in these worlds. Not that we haven't seen this in many great sci- fi movies before, but it's becoming the norm again, which is important to keep invigorating and evolving sci- fi when there's more Star Wars and Star Trek on the way. While society continues to quarrel over the division of wealth, something that will be addressed in upcoming sci- fi like Elysium and Oblivion, at the same time we have wealthy people like Richard Branson trying to turn science fiction into science reality. He has already conquered technology, travel and entertainment on Earth, so now even he's headed off of this planet and up into the stars with his Virgin Galactic program, practically ripped straight out of a sci- fi story. We can spend Saturday evenings staring in awe at the USCSS Prometheus, pouring over viral artwork late at night, then spend our weekdays wondering when and how Branson's . I can't wait to visit Mars! It's no longer insane to believe that one day soon we'll be mining asteroids and sending humans to Mars - NASA is working on both. Until then, we can always make a few more Mars thrillers (like Ruairi Robinson's Last Days on Mars) but sci- fi cinema has to push further. Now we're getting Europa Report, with a crew trying to reach Jupiter's moon, and Chris Nolan's Interstellar, about an . Obviously there's an intense fascination with space and the technology that takes us off of this planet, and filmmakers are even capitalizing on that by making movies more . To make everything feel more real, effects need to be seamless - fully rendered but never questioned. It was Blomkamp's District 9 that set the most recent precedent for perfect integration, and he might do it again with Elysium. Or something else brand new will. Technology Opens the Door to Limitless Storytelling. One of the biggest factors that's changing the way sci- fi is made is technology. Overlooked Sci- Fi Movies You Need To See. With Star Wars revived, Star Trekrebooted and more installments of the Alienseries on the way, science fiction reigns at the box office. In an era of computers, smartphones, Siri, and digital everything else, technology shapes our lives more than ever before, and moviegoing audiences have more of a taste for the fantastic and surreal images of sci- fi than ever before. Sci- Fi movies, are, of course, nothing new. Since the earliest days of film, directors and writers have tried to explore new realities by mixing tech and fiction. While some sci- fi outings become instant classics, others fade from view. For a select few, that’s a disservice. Some films like Tron, Blade Runner, or The Thing fell through the cracks and audiences of their time dudn’t connect with them. One of the many virtues of home media is that it allows cinephiles, like those of us here at Screen. Rant, to go back and reevaluate movies that get overlooked during their box office run. The titles contained herein didn’t attract audiences of their day, or fell out of the public consciousness. That’s a shame—each one is a masterpiece of sci- fi cinema in its own right. Think you know them? Check out our list of The Greatest Overlooked Sci- Fi Masterpieces. Brazil. Terry Gilliam gets little respect in Hollywood as a visionary director, which is our loss. The man has made some spectacular films, including the little- seen masterpiece Brazil. A sort of dark comedy take on Orwell’s 1. Bob Hoskins, Robert De. Niro, Jim Broadbent, and—in a rare leading role—Johnathan Pryce. Set in a weird dystopian future populated by skyscrapers, secret police and a lot of air ducts, Brazil follows one man’s obsession with finding the woman of his dreams. Sporting astonishing art direction, and a script that plays even more timely in a world of paranoia (the movie’s take on terrorism is especially prophetic, and hilarious), Brazil confused audiences in 1. Unlike that novel, Brazil sees its ending as a happy one, owing to a frequent theme in all Gilliam’s work: crazy people are the happiest in the world! The Fountain. Darren Aronofsky puzzled audiences and critics alike with his enigmatic The Fountain. Viewers were divided in their opinions of the film, regarding it as a modern masterpiece or a bombastic work of ego. In truth, it’s probably both. Regardless, The Fountain holds a special distinction among modern sci- fi, as it doesn’t feature superheroes, space battles, or aliens. Instead of venturing into far outer space (though it does feature scenes in space), it probes human history and the depths of the human spirit. Set in three separate time periods, it features conquistadors searching for the fountain of youth, a man mourning his dying wife, and a bald guy eating a tree in space. It’s that kind of movie. What’s really going on here? Are the couples reincarnations of one another? Parallel lives lived in parallel universes? The dreams of one another? Like the visual poetry of 2. A Space Odyssey or Mulholland Drive, just when The Fountain seems poised to reveal its secrets, it recoils into an enigma. Cube. This little seen sci- fi thriller became an instant cult film when it debuted in 1. Shot on a single set with a group of unknown actors, Cube finds its characters kidnapped and held in a giant series of connecting cube rooms. How did they get there? What is the function of the cube? And how can they escape? Cube adds tension to the proceedings by introducing a group of unstable characters, any of whom could end up dead at any time. The lack of stars in the cast only underlines that anything- goes quality. A higher- profile film with big- name actors in the leads would telegraph to the audience that their characters would live through, at the very least, most of the movie. Director Vincenzo Natali crafts a latter- day masterpiece using a simple sci- fi premise and building a mystery as frightening as it is captivating. The film also proves that even sci- fi movies don’t need ridiculous budgets or special effects to achieve greatness. Contact. Audiences that saw Robert Zemeckis’ Contact in 1. The film did well at the box office but, though Oscar buzzed, he didn’t grant the film any major nominations. Maybe viewers accustomed to bloated space operas couldn’t stomach the film’s subtlety. Based on the novel by astronomer Carl Sagan, Contact follows a brilliant scientist obsessed with discovering alien life. She discovers an ominous radio signal containing instructions to a mega- machine and the world goes nuts. What does the machine do? What do the aliens want? And how can humanity adapt to knowing that it is not alone in the universe? Contact takes a realistic examination of the current state of civilization, and asks stark questions about how man would react to contact with aliens. In a post “War on Terror” world, certain developments that seemed ridiculous in 1. Thoughtful, endlessly provocative, and utterly captivating, Contact deserves mention alongside classics like 2. Close Encounters of the Third Kind as a seminal sci- fi masterpiece. Dark City. Viewers who have taken in Alex Proyas’ Dark City know that the Wachowskis, along with just about anyone else in Hollywood to make a sci- fi blockbuster in the past 2. Little seen in its day but widely influential, Dark City deserves the same reverence and classification as Blade Runner. Both are overlooked masterpieces of sci- fi cinema. Also, like Blade Runner, Dark City takes the neo- noir approach to sci- fi. In a city that never sees a sunrise, a group of bald, mysterious men wander about drugging its inhabitants and manipulating their memories. Just what do they want, and how does an anxious scientist (played by Kiefer Sutherland in a marvelous, pre- 2. Dark City raises questions about how memories affect our emotions and how our minds create our own reality. The incredible art direction of the movie, employing lots of scarlet lips, black leather trench coats, fedoras, and strange clockwork machines should have won an Oscar and gets rehashed just about everywhere today. For a stroke of moviemaking brilliance, take a visit to Dark City. AI: Artificial Intelligence. This long- in- development collaboration between Steven Spielberg and Stanley Kubrick hit theatres in 2. Boasting a remarkable cast, lead by Hayley Joel Osment, it left audiences frustrated and confused. Beautifully photographed and with two great performances by Osment and Jude Law, it offered a look into a technologically advanced world populated by companion robots. But what, if anything, was it trying to say about all of it? Audiences puzzled over the last 1. Osment’s robot protagonist David interacting with even more highly advanced robots, and scenes in which his human “mother” is cloned. After fifteen years of debate, the perhaps overly- subtle meaning has started to become clear. The robots of the future are programmed to love humans, which have long gone extinct. David actually knew humans, and therefore is a kind of cybernetic messiah to these sentient toasters. Taken in that way, the film examines the responsibility of humanity to its own creations. The movie might have been an instant classic upon its release had Spielberg focused more on the emotional attachments of humans to machines. But the director made a more unusual choice instead. Does that subtlety, or the focus on the plight of, well, A. I., make the film any less of a classic? The Dark Crystal. Now here’s a film that is totally, utterly, unique. The Dark Crystal served as Muppet- mastermind Jim Henson’s attempt to branch off into more serious and fantastic filmmaking. The movie tells its story with just puppets; no humans ever appear on the screen. The puppetry, and the choice to tell a dark sci- fi/fantasy story put off audiences who were expecting the whimsy and slapstick of the Muppets. After doing moderate box office numbers and receiving mixed critical response, The Dark Crystal fell by the wayside. But the movie wouldn’t go away. After playing for years on cable, and with post- Lord of the Rings and Harry Potter audiences developing a taste for more cerebral, adult fantasy, The Dark Crystal started to gain the classic reputation it has long deserved. Surreal, strange, and mythic, its sci- fi elements get overshadowed by its philosophical and metaphysical themes. Nevertheless, the movie qualifies as a sci- fi epic, and yes, a masterpiece too. A Space Odyssey. That film, directed by lionized filmmaker Stanley Kubrick, remains one of the five best films of the genre, and with good reason. That reputation has long overshadowed 2. Granted, 2. 01. 0 doesn’t match 2. Director Peter Hyams doesn’t try to recreate the pure visual storytelling of 2. For starters, Hyams instills the film with an actual narrative that makes the movie easier to follow. He also gives it engaging human characters—something Kubrick never even bothered to try– and all with the same polish and technological ambition that made 2. More literal and less elusive than its predecessor, 2. A very different film, 2. Eraserhead. David Lynch stormed into cinemas via the midnight movie circuit in the late 1. Eraserhead, the cinematic equivalent of hitting an audience in the face with a sledgehammer! The movie is about! Eraserhead doesn’t focus on story or narrative so much as it plays with an audience’s reactions, like a sort of moving impressionistic painting. The plot, such as it is, follows a man named Harry living in an industrial wasteland. A mutant baby and a deformed, tap dancing woman show up, along with Lynch’s usual tropes of leggy femme fatales, retro ’5. The film also benefits from black and white photography, which adds to its atmosphere of dread. The cult of Eraserhead has long debated its meaning, even while trumpeting the film as a masterpiece. And so it is—no other filmmaker, including Lynch himself, has ever crafted such a disturbing, wondrous dreamscape before or since. Surreal, frightening, funny, and mysterious, Eraserhead offers an experience like nothing else. Jiddi Ashiq Mp. 3 Song Bhojpuri. Ziddi Aashiq : Bhojpuri Movie Release. 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The Ring (2. 00. 2) - IMDb. Quotes. . Gives me headaches. You know, I heard there's so many magnetic waves traveling through the air, because of TV and telephones, that we're losing, like, ten times as many brain cells as we're supposed to. Like, all the molecules in our heads are all unstable. All the companies know about it, but they're not doing anything about it. It's, like, a big conspiracy. Directed by Hideo Nakata. With Nanako Matsushima, Miki Nakatani, Yûko Takeuchi, Hitomi Satô. A reporter and her ex-husband investigate a cursed video tape that is. If you’re looking to make a horror film simply because you think it might be an easy road to notoriety, you’d be dead wrong. This is a dish that’s best served. Japanese horror is Japanese horror fiction in popular culture, noted for its unique thematic and conventional treatment of the horror genre in light of western. Horror Films are unsettling films designed to frighten and panic, cause dread and alarm, and to invoke our hidden worst fears, often in a terrifying, shocking finale. The Ring (2002). A young journalist must investigate a mysterious videotape which seems to cause the death of anyone in a week of viewing it. Personal Taste. Título Original: Heirs: Episode 20 (Final) by girlfriday. The end is here. Not that it’s a surprise, but the Heirs finale doesn’t step outside its prescribed frame for even a. Personal Taste - drama coréen - Tous les épisodes gratuits en français en France. Kdrama en streaming VOSTFR. Personal Taste - Korean Drama. User Rating. Current user rating: 9. You need to enable Java. Script to vote. Profile. Drama: Personal Taste (International English title) / Personal Preference (literal title) Revised romanization: Gaeinui Chwihyang Hangul: Watch full episodes free online of the tv series You're Beautiful Episode 1 with subtitles. Subtitled in Arabic, German, Greek, English, Spanish, French, Indonesian. Personal Taste Information, Personal Taste Reviews, Synonyms: Personal Preference; Kae In's Taste; Perfect Match; Kaeinui Chwihyang. Drama: Personal Taste (International English title) / Personal Preference (literal title). Revised romanization: Gaeinui Chwihyang. Hangul: . Jin- ho has also some faults which include being self- centered and obsession with cleanliness. Jin- ho Jeon then comes across Gae- in Park (Son Ye- Jin), a woman hurt by love and is now looking for a gay roommate/friend. Jin- ho wanting to live with the woman, then pretends to be a gay male. Personal Taste . Luego, Gae In es invitada a la boda de su amiga Kim In Jee y se horroriza al descubrir que el marido es nada menos que Chang Ryul. Tras conocer a Gae In, Jin Ho se hace pasar por gay para tener acceso a la casa, ya que ella maneja informaci. Bodyguard Information, Mr. Bodyguard Reviews, Synonyms: Xiao Hua De Tie Shen Gao Shou; Personal Taste is a romantic comedy TV series developed by MBC that centers on Jeon Jin Ho (Lee Min Ho), a bit of an obsessive architect who has to live a lie in. No obstante, al pasar el tiempo, la misi. Store Awards: Premio al Mejor Drama Internacional. MBC Drama Awards: Premio a la Excelencia - Actor: Lee Min Ho. Audiencia. Fecha. Boys Over Flowers Episode 1 - .
Nadine Chanz - Vintage Erotica Forums You are currently viewing our forum as a guest which gives you limited access. By joining you will gain full access to thousands of Videos, Pictures & Much More, with absolutely No Ads or Popups. Membership is absolutely FREE and registration is FAST & SIMPLE so please, Register Today and join one of the friendliest communities on the net! Aktualisieren Sie Ihren Browser, um das Video zu sehen.Starts her career as playmate for german 'bunny' magazine in the late 70s. Wolke – Wikipedia. Cumuluswolken, im Hintergrund ein Cumulonimbus. Wolkenentwicklung im Zeitraffer. Unterschiedliche Wolkentypen. Eine Wolke (auf die indogermanische Wurzel uelg . Dies kann entweder durch Abk. Beim Kondensieren wird die Verdampfungsw. Dadurch kann die Luft in gr. Bei ruhiger Luft und wenigen Kondensationskernen kann es zu einer . Obwohl der relative Wassergehalt dann deutlich mehr als 1. Der Wassergehalt muss erst weiter zunehmen, bevor er kondensiert. Bei einer Lufttemperatur unter . Kondensationskerne sind elektrisch geladen und haben eine Gr. Sie entstehen durch private Haushalte, Industrie, Landwirtschaft, die Natur und kosmische Strahlung (Beispiel Nebelkammer). Nach Beginn der Kondensation kondensiert immer mehr Wasserdampf an dieser Stelle, bis er zu einem sichtbaren Nebeltr. In der meteorologischen Systematik werden die Wolken den Hydrometeoren zugerechnet. Wolken finden sich haupts. Sie unterscheiden sich in ihrer Entstehung, in den Eigenschaften und sind leicht beobachtbare Merkmale der Wetterlage. Durch die richtige Deutung von Form, Aussehen und H. Um Beobachtungen . In der Praxis ist vor allem die Einteilung in Wolkengattungen und Wolkenarten von Bedeutung. In den meisten Gebieten treten bestimmte Wolkenarten geh. Die Klassifikation der Wolken regelt die Weltorganisation f. Dies gilt insbesondere f. Die Nephologie (Wolkenkunde) ist ein selten als eigenst. Erst nach dem Abk. Mit der Ver. Dies kann beispielsweise geschehen durch. Hebungsprozesse in der Atmosph. Dabei kommt es weniger auf die Wasseraufnahmef. An der Oberfl. Ob es dazu kommen kann, h. Die Anzahl der Wasserdampfmolek. Wird diese unterschritten, entstehen und wachsen unter bestimmten Bedingungen stabile Tr. Diese Temperatur h. Der Wasserdampfdruck, bei dem Kondensation und Verdunstung im Gleichgewicht sind, wird als S. Er ist von der Temperatur abh. Solche Keime k. Beim Absinken der Temperatur bis etwa . Bei einem weiteren Absinken der Temperatur nimmt der Eisanteil immer weiter zu, bis bei etwa . Weil ihr Durchmesser klein ist, ist ihre Reynolds- Zahl kleiner als 0,1. Es liegt daher eine laminare Str. Die Sinkgeschwindigkeit w. Die Sinkgeschwindigkeit kann Werte bis zu 1. Sie ist ein rein aerodynamischer Wert. Zu unterscheiden davon ist die Fallgeschwindigkeit. Sie ergibt sich aus der Differenz der Geschwindigkeit des Auf- oder Abwindes und der Sinkgeschwindigkeit. Weil die Geschwindigkeit der Auf- und Abwinde viel gr. Da Wolken h. In Regenwolken sind die Tropfen wesentlich gr. Die Tropfen nehmen eine widerstandsarme Form an. Ist ein Schwellenwert . Im Falle des Hagels treten sehr starke Auf- und Abwinde auf, welche die Hagelk. Eine Wolke in Bodenn. Im weiteren Sinne wird unter Wolkenbildung jedoch auch die Entstehung anderer Wolkentypen verstanden, wie beispielsweise Staubwolken oder Methan- Wolken, wobei man sich hierbei nicht auf die Erde begrenzt und auch die Wolkenbildung auf anderen Himmelsk. Dies macht sich vor allem im Sommer bemerkbar. Sobald sich tags. Diese Wolkendecke reflektiert aber auch die terrestrische Ausstrahlung zu einem bestimmten Anteil zur. In einer klaren Nacht wird es folglich wesentlich k. Die Temperaturunterschiede zwischen Tag und Nacht sind daher auch viel h. Sie bestimmt, wie viel Sonnenstrahlung durch eine Wolkendecke hindurchdringen kann und wie viel sie andererseits absorbiert oder reflektiert. Bestimmende Einflussgr. Dabei sind Wolken gegen. Die Streuung der direkten Sonneneinstrahlung durch die Luftteilchen bedingt deren geringer werdenden Anteil mit abnehmender H. Durch die zus. In Bezug auf die UV- Strahlung ist eine Absorption an den Wassertropfen selbst vernachl. Auf globaler Ebene hat dies im langj. Besonders wichtig ist der Effekt der langwelligen Ausstrahlung der Erdoberfl. Dieser Effekt ist die eigentliche Ursache des atmosph. Die Ausstrahlung der Erdoberfl. Die optische Dicke der Wolken, die ihrerseits die Globalstrahlung bestimmt, ist nun ma. Durch diese atmosph. Zwar ist das in ihnen enthaltene Wasser in Bezug auf die Wasservorkommen der Erde mengenm. Das Aussehen einer Wolke l. Vor allem bei st. Dieses Licht stellt meist direkte oder diffuse Sonnenstrahlung dar, es kann jedoch auch von Mond oder Erdoberfl. Besonders durch die gro. Befindet sich Dunst zwischen Beobachter und Wolke, so kann je nach Wolkendichte und Richtung des einfallenden Lichtes die Helligkeit der Wolke verst. Das gilt insbesondere dann, wenn die Wolken d. In mondlosen N. Daher sind . Eine derartig angeleuchtete Wolkenschicht kann dann einen hellen Hintergrund bilden, gegen den sich tiefer gelegene Wolkenteile plastisch und dunkel abheben. Die Oberseite liegt in deren Schatten. Die Wolke selbst kann die Farbe nicht . Das gilt insbesondere f. Der Himmel in der Umgebung der Sonne sowie die Wolken k. Wenn die Sonne sich dicht ober- oder unterhalb des Horizonts befindet, so k. Sehr niedrige, im Erdschattenbogen liegende Wolken, sehen grau aus. Diese Farbunterschiede erm. Wolken erscheinen im gleichen H. Nachts ist die Helligkeit der Wolken gew. Besondere Beleuchtungsverh. Jahrhunderts nahm man an, Wolken seien zu vielgestaltig, komplex und vor allem kurzlebig, um sie begrifflich zu kategorisieren. Es war nicht . Es gab zwar einige wenige Versuche, sie zur Wettervorhersage zu nutzen, doch beschr. Da jedoch die normierte Unterscheidung verschiedener Wolkentypen eine Voraussetzung zu ihrer Untersuchung, Beschreibung und damit dem Verst. Eine wissenschaftliche Ann. Daher wurden Wolken, wenn . Einen anderen Ansatz verfolgte Jean- Baptiste de Lamarck im gleichen Jahr, unabh. Er teilte Wolken in die drei Grundformen Stratus (Schichtwolken), Cumulus (Haufenwolken) und Cirrus (Schleierwolken) ein. Nimbus (Regenwolken). Die Gattung Cumulustratus wurde 1. Zustimmung von Howard durch Ludwig Friedrich K. Diese vier Familien umfassen zehn Gattungen, die mit ihren 1. Arttypen (mit Kombinationen 2. Arten), 9 Unterarttypen und 9 Sonderformen/Begleitwolken in einer . Eine Wolke kann dabei die Merkmale von einer Art und mehreren Unterarten besitzen. Von zentraler Bedeutung ist, dass es sich bei den Wolken um eine Klassifikation nach dem Erscheinungsbild handelt. Dies steht im Gegensatz zu den in den Naturwissenschaften . Wie eine Wolke zu einem bestimmten Erscheinungsbild gekommen ist, spielt f. Im Winter sind die Wolkenstockwerke aufgrund der niedrigeren Temperatur und damit h. Die folgenden H. 6) angelehnt. Die Buchstaben der jeweiligen Abk. Deutsche Entsprechungen bzw. Beschreibungen der lateinischen Gattungsbezeichnungen sind in Klammern gesetzt. Zu beachten ist, dass die Einteilung der Cumulus- Wolkengattung in die Wolkenfamilien nicht einheitlich gehandhabt wird. Dies liegt darin begr. Diese werden hier bei den vertikalen Wolken eingeordnet, k. Sie geben an, in welcher H. Eine labile Schichtung, bei der es zu Aufwinden kommt, f. Die Gattungsnamen werden mit zwei Buchstaben abgek. Arten sind nicht kombinierbar; eine Wolke kann nur die Eigenschaften einer Art zur selben Zeit aufweisen (Nicht m. Anders als in der Biologie wird au. Andere wie congestus oder humilis gelten zum Beispiel nur f. Eine Wolke kann im Gegensatz zu den Arten die Eigenschaften von mehreren Unterarten aufweisen, denn die Unterarten schlie. Die einzige Ausnahme bilden opacus (lichtundurchl. Zum Beispiel ist Cumulonimbus mamma (Cb mam) ein Cumulonimbus mit Quellungen . Die Sonderformen und Begleitwolken werden – wie die Arten – mit drei Buchstaben abgek. Dazu wird an den Gattungsnamen der Mutterwolke . Ausgeschrieben ersetzt man die Endung . Ein typisches Beispiel ist der Cirrus cumulonimbogenitus (Ci cbgen), ein Cirrus, der sich aus dem Amboss einer Cb- Wolke entwickelt hat. Neben der Internationalen Klassifikation, die sich an der Wolkenh. Sie geht auf St. Dabei handelt es sich zum Beispiel um die f. Dabei ist es m. Bewegungen der Wolken geben Auskunft . Beim Durchzug einer Front kann man daher meist eine sehr charakteristische Abfolge von Wolkenarten beobachten. Eine langsam heranziehende Warmfront, an der die Warmluft auf die vor ihr liegende Kaltluft gro. Nach Durchzug der Warmfront lockert im Warmsektor die Bew. Manchmal, vor allem im Winter oder an den K. Als Beobachter bemerkt man zun. Die Kaltfront selber besteht h. Es gibt aber auch schw. Nach dem Durchzug der Front rei. Sofern sie nicht in Verbindung mit Fronten auftreten, klart der Himmel sehr schnell auf. In einigen F. Daher sind Gewitter vor allem im Gebirge t. Auch das Auftreten von B. Der Vorteil gegen. Aus ihr kann auch die Wetterlage bestimmt werden. Die Verschl. Ist der Himmelszustand wegen schlechter Lichtverh. Dabei bedeutet L . Vorrangig sind immer die Wolken, die f. CL- )Wolken vorhanden. CL=1. Cumulus humilis und/oder Cumulus fractus vorhanden. Keine Schlechtwetterwolken. Bei den vollst. Untergrenzen in gleicher H. Sie entstehen bei starkem Wind mit einer unregelm. Dann ist die Unterseite scharf ausgepr. Das geschieht, wenn die aufstr. Sie wird nun abgebremst und breitet sich aus, es bildet sich eine zusammenh. Vereinzelt kann die aufsteigende Luft so stark sein, dass die stabile Schicht durchbrochen wird und sich zwischen den Sc- Wolken einzelne Cumuli hervorheben. CL=5. Stratocumulus, der jedoch keine Mutterwolke hat (das hei. Er weist an der Unterseite fast immer dunkle Stellen auf. Keine Schlechtwetterwolken. Schlechtwetterwolken. Sie erscheinen in einem dunkleren Grau als die Wolken dar. Die Cumuluswolken breiten sich dabei nicht zu Stratocumulus aus, d. Falls sich ein Cumulonimbus direkt . Gewitter sind . Mondstand sichtbar ist. Er entsteht meistens bei einer Warmfront, wenn der Cirrostratus dicker wird. CM = 2. Altostratus opacus oder Nimbostratus. Letzterer verdeckt die Sonne . Die Sonne ist, falls sie verdeckt wird, als heller diffuser Fleck sichtbar, die Wolken sind gr. Der Grund f. In die Richtung, aus der sie kommen, ist der Himmel bis zum Horizont verdeckt, wo auch die Wolkenschicht am dichtesten ist. Am vorderen Teil l. Falls die Wolken die andere Seite des Horizontes ber. 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